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The Romans regarded her as “fatale monstrum”—a fatal omen. Pascal said the shape of her nose changed the history of the world. Shakespeare portrayed her as an icon of tragic love. But who was Cleopatra, really?
Cleopatra was the last ruler of the Macedonian dynasty of Ptolemies. Highly intelligent, she spoke many languages and was rumored to be the only Ptolemy to read and speak Egyptian. Her famous liaisons with Julius Caesar and Mark Antony had as much to do with politics as the heart. Ruthless in dealing with her enemies, many within her own family, Cleopatra steered her kingdom through difficult times, and very nearly succeeded in creating an eastern empire to rival the growing might of Rome.
Her story was well documented by her near contemporaries, and the tragic tale of contrasts and oppositions—the seductive but failing power of ancient Egypt versus the virile strength of modern Rome—is so familiar we almost feel that we know Cleopatra. But our picture is highly distorted. Cleopatra is often portrayed as a woman ruled by emotion rather than reason; a queen hurtling towards inevitable self-destruction. But these tales of seduction, intrigue, and suicide by asp have obfuscated Cleopatra’s true political genius.
Stripping away our preconceptions, many of them as old as Egypt’s Roman conquerors, Egyptologist Joyce Tyldesley offers a magnificent biography of a most extraordinary queen.
- Sales Rank: #6050423 in Books
- Published on: 2008
- Original language: English
- Number of items: 1
- Dimensions: 9.45" h x 1.22" w x 6.38" l,
- Binding: Hardcover
- 320 pages
From Publishers Weekly
Starred Review. This entertaining biography hits the elusive sweet spot between scholarship and readability. British archeologist Tyldesley (Daughters of Isis) is charmingly transparent about the unreliability of her sources. She tells us that when the Roman poet Lucan describes Cleopatra's ineffable night of shame with Julius Caesar, he is writing the equivalent of modern tabloid journalism. In spite of the lack of eyewitness descriptions of Cleopatra, the question, for instance, of what she looked like becomes a fast-moving amusing discussion of statuary as royal propaganda, the modern perception of Cleopatra's nose as way too big and the difference between beauty and sexiness. Writing with an easy mastery of her subject, Tyldesley always seems to be able to lay her hands on the perfect lively detail, whether an excerpt from an obscure bureaucratic document or a description of a kind of giant robot that paraded through the streets of Alexandria pouring libations of milk from a gold bottle. Though she makes it clear we'll never know what Cleopatra was really like, Tyldesley provides a memorable journey through the rich and contradictory sources of our knowledge about her. 8 pages of illus., 3 maps. (Sept.) ""
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved."
From Booklist
Though you might think everything you need to know about Cleopatra has already been written, think again. The life story of Cleopatra has become so distorted and embellished through the multiple lenses of history, legend, film, fiction, and archaeology, it is often difficult to tell the difference between fact and fiction. Egyptologist Tyldesley undertakes the daunting task of separating myth from reality in this slightly revisionist biography of the last of the Ptolemies. By juxtaposing her reign with the decline of the Egyptian Empire rather than the rise of Rome, the author is able to place Cleopatra firmly into historical and cultural context. What emerges is a portrait of a cunning political operator ruthlessly attempting to reestablish Egyptian supremacy in a rapidly shrinking world overwhelmed by the vast power of the mighty Roman Empire. --Margaret Flanagan
Review
Times Higher Education Supplement
“A very readable account of the life of Cleopatra VII, and one that goes some way to redress the way in which she is often viewed. It also provides intriguing insights into life and society in the Egypt of the Ptolemies and the position of Egypt in the world-system of its time.”
Sunday Telegraph
“Tyldesley’s strength has always been her storytelling, and here she is on top form. The Ptolemaic court was an in-bred and volatile place where assassination of family rivals was commonplace, and she brings out well the effect of the entry of Rome into this bewildering madhouse.... Tyldesley takes this terrific story on in fine style…a gripping narrative.”
The Mail on Sunday
“One of the many merits of this sympathetic biography is that [Tyldesley] is able to place Cleopatra securely in Egyptian culture and history.”
Los Angeles Daily News
“Fascinating and irresistible.”
Tucson Citizen
“This is a multilayered biography of one of the most interesting historical figures ever. Tyldesley presents the great queen in such a way that she almost leaps from the printed page.”
Choice
“Tyldesley seeks to redress Cleopatra’s seductress image by viewing her within the larger context of Egypt’s dynastic affairs and cultural history…. The book’s final chapter describes how the Roman propaganda machine stripped the intelligent, educated queen of her political validity and fashioned her posthumous identity as an immoral, unnatural woman and (alternatively) tragic heroine.”
The Historian
“In her retelling of Cleopatra’s story, [Tyldesley] draws on established archaeological and classical sources to advance a new reading of this largely misunderstood figure.”
Most helpful customer reviews
9 of 9 people found the following review helpful.
Provides a well rounded background
By Amazon Customer
I bought this book as an introduction to Cleopatra after watching the Rome mini-series. I wanted to get an idea if the story was accurate. This book provides a great introduction, but left me with the impression that her life is shrouded in mystery. The author often went off on tangents to fill in a complex background that most readers (including myself) are not familiar with. These tangents include Egyptian geneology, the layout of cities, and the history of Egypt. These deviations were generally interesting, but I often found myself wondering how this all fit back into Cleopatra's life, and why they were included.
I found the sections of the book where the author explained the myths surrounding Cleopatra and broke down the possible origins, and debunked them the most interesting. I felt these left the best impression of what her life must have been like, and the complex world she maneuvered in.
22 of 28 people found the following review helpful.
Great book if you want to START learning about Cleopatra
By ILizbeth
As a starting point for learning about Cleopatra, this is a great book. However, if you want to go beyond the basics and what was reported by historians two thousand years ago, I would buy Cleopatra: A Biography by Michael Grant. Grant's book examines Cleopatra's life on a deeper level and with more speculation as to whether this and that might have happened, whereas Cleopatra: Last Queen of Egypt reports speculation as fact and doesn't examine all facets of disputed events (such as her suicide). Overall, a good book, although given my vast readings on ancient Rome, I do question some of the facts, such as what became of Cleopatra's two surviving sons with Mark Antony.
3 of 3 people found the following review helpful.
Review of Tyldesley's 'Cleopatra'
By Ryan Mease
This is a fair, thoroughgoing biography of Cleopatra. It considers several aspect of her life, including her relationships with Caesar, Antony and the Ptolemaic family, as well as her impact on Egyptian politics and religion. However, I'm sorry to say this is the worst in a series of excellent ancient Egyptian biographies. Where Tyldesley usually takes a careful look at existing archaeological sites and native texts, this biography is rendered (perhaps appropriately) through an analysis of Greek and Roman written sources. I'm disappointed, in any case, to see that this work is more of a typical biography and less of a Tyldesley biography. I miss her careful fact-finding attitude and detailed analysis of data. However, I wouldn't go so far to say that this work is less than satisfactory.
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